A Craft Born Out of a Hobby

Feb 7, 2025

「EP.09」日光彫

NIKKO BORI
Tochigi Prefecture

「transcript」

Nikko-bori traces its roots back to the grand Edo period when the construction of Nikko Toshogu Shrine, now a UNESCO World Heritage Site, brought together some of the greatest craftsmen in Japan. During their free time, these artisans carved wooden items as a hobby, giving birth to the craft that later became Nikko-bori.

What sets Nikko-bori apart is the use of a unique carving tool called the hikakaki or "scraper knife," which has a distinct, bent tip. This tool allows the carver to pull instead of push, creating deep, powerful, yet elegant lines. The patterns often include motifs inspired by nature, such as peonies, plum blossoms, kiku, and sakura.

So, how is it made? The process begins by selecting high-quality wood like Japanese horse chestnut, katsura, or magnolia. The wood is carefully seasoned through natural and electrical drying processes to prevent warping. Once artisans sketch their designs on the wood, they begin carving with the hikakaki knife, making precise cuts that bring the patterns to life. In addition to the lines, artisans use a variety of techniques to carve around the design and elevate the motifs, creating a three-dimensional realistic design.

Once the carving is complete, the wood undergoes Nikko Tsuishu, a distinctive lacquer technique that involves layering coats of red lacquer and carbon powder, which when polished, reveals vibrant red and black contrasts. This finish gives Nikko-bori items their characteristic elegance and durability.

Today, Nikko-bori is used to create a wide range of items, from tea trays and decorative plates to furniture, mirrors, and other everyday items. Each piece carries the warmth of wood and the mastery of hand-carved craftsmanship, making it much more than just a practical item—it’s a work of art.

Thanks to the continued efforts of Nikko’s artisans and workshops, this centuries-old craft thrives today, connecting Japan’s cultural heritage with modern life.

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